Three Partners. One Team.

Next Level Ops is led by three operators whose careers span production, venue operations, executive leadership, and owner representation. Each partner brings a distinct perspective shaped by different environments, while sharing a common foundation built in live performance and real-world operations.

Selected Institutions and Work

Across their careers, the partners of Next Level Ops have held leadership roles with companies including:

Illustration of a person doing a handstand on a yoga mat with a sunset background and mountains.
Logo of Cirque du Soleil featuring a stylized sun with a face, surrounded by the text 'CIRQUE DU SOLEIL'.
A silhouette of a person holding an umbrella walks along a pathway in front of airplane wings and engines, with a foggy or smoky background.
Black and white logo with the words "Sustainable Jax" in stylized font.
Simple black icon of a house with a chimney and a door on a white background.
Black and white illustration of a bull with its head lowered.
Black background with the word 'njpac' in gray lowercase letters.
A cartoon illustration of a lightbulb with a smiling face on a yellow background.
Salt Lake 2002 Winter Olympics logo with snowflake, text, and Olympic rings.
A black silhouette of a person reaching up with both arms against a white background.

Current work encompasses expansion into future music concert venues, sport arenas, arts education facilities, and a new jazz club.

A middle-aged man with a bald head and a gray beard, smiling slightly, wearing a patterned gray sweater and a collared shirt with a tie, standing indoors with warm lighting.

Ken Harris, Partner

Ken’s career spans regional theater, Disney entertainment operations, and senior leadership roles at major performing arts centers in Miami and Milwaukee. He is known for re-engineering operations to better serve both audiences and artists, with deep attention to systems, flow, and execution.

Education

  • Bachelor of Arts, Theater Arts, S.U.N.Y. College at Fredonia

  • Master of Fine Arts, Drama, University of Washington

Quick hits

  • First unforgettable performance: Miss Saigon, London

  • Favorite type of venue: Historic theaters adapted for modern use

  • What he notices immediately: Guest arrival and lobby flow

  • Outside the venue: Travel and architectural exploration

Portrait of a middle-aged man with light brown hair and a beard, wearing a blue patterned shirt and a dark vest.

Phil Jordan, Partner

Certified Venue Executive (CVE) | International Association Venue Managers (IAVM)

Logo of the International Association of Venue Managers featuring red and black text with the acronym IAVM.

Phil has led venue development and operations across public and private sectors, including Salt Lake County’s diverse arts venues, Las Vegas production shows and nationally significant cultural projects. His experience bridges owner representation, strategic partnerships, operational execution and governance.

Education

  • Bachelor of Science, Film & Television Production, Emerson College

Quick hits

  • First live performance that landed: Little Feat in concert, 1973

  • Favorite venue experience: Eccles Theater, Salt Lake City

  • Favorite opening night moment: Lighting the 2002 Winter Olympics cauldron

  • Outside the venue: Scuba diving

Portrait of an older man with glasses, gray hair, a beard, wearing a navy suit, light blue shirt, and green tie.

Ross Richards, Managing Partner

Ross has spent his career opening and operating complex performing arts venues. He served on the opening team at the New Jersey Performing Arts Center and later led its operations for nearly two decades. He has held executive leadership roles at the Philadelphia Orchestra/Ensemble Arts Philadelphia and the Kennedy Center for the Performing Arts, overseeing multi-venue operations, labor and resident company relations.

Education

  • Bachelor of Fine Arts, Ithaca College

  • Master of Fine Arts, Technical Design and Production, Yale University

Quick hits

  • First live performance that landed: Hamilton at The Public Theater

  • Favorite seat in the house: Orchestra aisle, mid-house

  • What he notices immediately: Crew communication under pressure

  • Outside the venue: Cycling, fly-fishing and travel

Operational Needs We Support

  • Change guidance for existing/operating venues

  • Pre-design, design and construction planning

  • Commissioning support and readiness coordination

  • Team building, operational guidelines and training

  • Guest and artist journey design and implementation

  • Post-opening stabilization and coaching